The trick, say gurus, is to stay in the present
though even while saying it, the present flees.
Words disappear into past-time by the end
of the sentence which proposes to arrest it.
Time is money, we say, but it is also language.
Words take time and split it into separate realms.
The present seems the thinnest membrane
between past and future, the sliver of an instant
we pass through without ever being there.
Before, we say, and after and now.
But isn't that what childhood is all about,
a pre-verbal idyll without time
before the snake of language slithered in and hissed,
You are dying, you will die, you have died.
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Spring Feature 2014
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Feature
- Kurt Brown A Photo Tribute
- Kurt Brown Excerpts from his "Notebook"
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Poetry
- Laure-Anne Bosselaar
- Lee Briccetti
- Wyn Cooper
- Stephen Dunn
- Richard Garcia
- Janlori Goldman
- Andrey Gritsman
- Kamiko Hahn
- Steve Huff
- Meg Kearney
- Eugenia Leigh
- Thomas Lux
- Laura McCullough
- Christopher Merrill
- Kamilah Aisha Moon
- Martha Rhodes
- David Rothman
- Harold Schechter
- Charles Simic
- Tree Swenson
- Charles Harper Webb
- Marty Williams
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Essay
- David RigsbeeOn Kurt Brown, An Appreciation
Feature > Poetry
It is said that the secret theme of poetry is Time, and Kurt Brown addressed this theme directly in a number of poems. In "Present Tense," for example, he turns a commonplace piece of advice into a search for the prelapsarian origins of language. His is a sort of free-verse sonnet, in the third couplet of which he tips his hat to his friend (and my teacher), Bill Matthews, the tutelary spirit presiding over some of Kurt's wisest meditations. I am grateful to my late friend for the sting of this poem, which salves some of the sting of his passing.