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Janlori Goldman

Janlori Goldman

Janlori Goldman was chosen by Gerald Stern to receive the Raynes Prize for her poem "At The Cubbyhole Bar." Her chapbook, Akhmatova's Egg, was published by Toadlily Pess, and she is a founding co-editor of the Wide Shore, a global women's poetry journal set to launch in May 2014. She teaches at Columbia University and Memorial Sloan Kettering Cancer Center and received an MFA from Sarah Lawrence College.
When I first read “A Thousand Kim” in Mudlark: An Electronic Journal of Poetry and Poetics, I was moved by Kurt’s vision, his capacious reach and intellectual range. The poem opens with a quote from the gangster Dutch Schultz who raved in delirium for hours before dying: "A boy has never wept, nor dashed a thousand kim." We leap from that inscrutable phrase to the poet’s anguish at how "time machineguns events at us," and then Kurt carries us on a possessed and careening carpet through his mind—an Iraq war amputee, an Ambien commercial, a two-brained dinosaur, movies melted down to make soldiers’ boot heels—such a cacophony of twisted, irreconcilable images and events. Yet Kurt’s expressive passion presents these quirky and cruel lunacies as the confounding world we live in, right alongside the necessary comfort of shopping for artichokes and bagels.

"Is hope a recurrent dream from which we never wake?" he asks. Here is gentle, generous Kurt, pressing into the quandaries, the question marks that make most of us just bang our heads against the wall. I miss the quiet urgency of his voice. I am grateful for how much of himself he left for us in his poems.


A Thousand Kim

"Dutch Schultz's deathbed ravings covered a wide range—all the way
     from mysterious million-dollar deals to assorted pals
          and double-XX guys to Communists, of all things.
     One sentence confounded everybody, even
the poets: A boy has never wept, nor dashed a thousand kim.
     What did the dying badman mean? Well, who knows.
          History may never repeat itself, but it stutters.
     Time machineguns events at us, and we stagger,
bleeding from the holes in our hearts. On television
     a veteran back from Iraq boasts, "I looked death in the eye.
          I fought with death and I won." He glares
     at the camera, minus two legs (below the knee), the left side
          of his face disfigured, a ruddy lump of scars.
"How many people can say that?" he asks. No one replies. His image
     fades, and a commercial for Ambien splashes onto the screen.
     
                                                  §


It's hard to rest these days. Nightmares gallop through our brains,
     lids jitter in REM sleep, even our legs lurch and need
          to be calmed. Suffering and death are of little interest
     to the artist,
thought Gertrude Stein and as the Second
World War approached, remarked: "I could not see why there being
     so many more of them made it any more interesting."
          Well who knows. A hundred kim, or a thousand
     are hard to visualize. That's why the government hides the bodies
and lead still kills, leaching into the brain from the brightly painted surfaces
     of toys. "No world," said my friend, "could be stranger
          than this one!" and I was beginning to see what he meant.

                                                  §


What a poor tool our brains are for making sense of anything.
     From the Falx cerebri down to the Teritorium of Cerebellum,
          we're stymied, and a bullet doesn't help, or a fleck
     of carcinogenic paint lodged neatly in the forebrain. Every time I pass
a child on the corner I think: "He could be packing a gun." Then I laugh
     at my own foolishness. But last night in my sleep a child shot
          another child, and I did nothing. I didn't even wake up
     until a garbage truck slammed down our street and for some reason
I thought of Will Durant, the philosopher, who calculated that there have been
     only twenty-nine years in all of human history during which
          there was not a war underway somewhere.
     Maybe we should wear seatbelts when we go to bed. Maybe
we should ban lead from the body altogether, so we never have to endure
          the sight of a mutilated boy weeping.     

                                                  §


If young minds soak up knowledge "like a sponge," age wrings
     it all out again until compassion becomes bloodlust and history
          is honed to a single point. Maybe that point,
     smaller than a period, in which the universe was packed
before the Big Bang ripped it open and out sprang St. Francis and Jeffrey
     Dahmer, Ghandi and Dutch Schultz, each animated by a kind
          of brain. "Dinosaurs had two brains," my friend said, "for all
     the good it did them—one in the head, and one in the tail." Scaly
hook-and-ladders negotiating pre-history's curves, though a comet
     did them in, like a stray bullet wandering a neighborhood
          until it found its random target, earth, which some
      have likened to a massive brain with its folded mountains,
its bright ideas like evolution or volcanoes spewing lava into the sea.

                                                  §


After World War I the Surrealists wanted to go to sleep forever,
     and poor Appolinaire did, but not before a sliver of the real world
          pierced his skull and a crowd of citizens massed outside
     his window chanting Guillaume! Guillaume! like a mother
calling her child home at dusk, while the movies of Georges Méliès
     were melted down to make heels for soldiers' boots.
          This was no dream, but a bizarre variant of beating
     ploughshares into swords as the French army plodded off to war
shod in Méliès' films, winsome illusions of that inventive movie-house magician.
     Death longs to infiltrate the world and experience life, if only
          briefly, borrowing our bodies before turning back
     into its own emptiness. Just this morning, twelve-feet-high on the side
of a bus, the picture of a man grinning warmly, with blood spattered
     forehead and cheeks, rolled past with the legend:
          "America's favorite serial killer" spelled out in red paint,
     a sentence that might confound anyone, while the rest of us
shopped for artichokes and bagels, cut-rate carpets and white wine.

                                                  §


The world offers up its runes, its daily figments of reality, though
     I don't mean to exclude myself in any of this, as no one is excluded,
          but dragged ineluctably into a wide net
like the purse-seine Robinson Jeffers imagined, all of us victims
      of interdependence until "Now there is no escape. We have gathered
          vast populations incapable of free survival...each person himself
      helpless," and so on. A thousand kim, a million kim. Like this pale
boy swaggering past, in black denim trousers and t-shirt, chrome studs
     glittering in his ears and lips in self-crucifixion, Fuck You Very Much
          stenciled across his chest. The world to him is a madhouse,
     a threat to his existence. It's a no-brainer as far as he's
concerned. Wars and future wars: the same war burning from decade
     to decade, as a pile of leaves catches fire from leaf to leaf,
          or a forest from tree to tree. The same spark of anger from ten
thousand years ago when Cain picked up that rock and brained his brother.

                                                  §


But no one can remember that far back. Memory contains its own
     erasure, each generation another chapter in history's
          long amnesia. When a politician on t.v. says "we're going
     to see that this never happens again," I laugh out loud,
though it gives me no pleasure. I think of all the "eternal flames"
     burning around the world, polished cenotaphs
          containing nothing but the memory of unknown
     soldiers, their limbs so scattered they couldn't gather them up
to give them a decent burial. "History teaches us..." he's now saying,
     the t.v. announcer, and I wonder what he'll say next?
          If Cain and Dutch Schultz were brothers,
     what can we expect from two pounds of marbled
gray matter Hippocrates first located as the source
     of the mind—though long before that the Greeks and Egyptians
thought the mind resided in the heart, which is far more desirable.

                                                  §


Memories are dreams from which we don't wake up, until they become
     so distant it's as if they don't matter at all, or somehow never existed.
          Is hope a recurrent dream from which we never
     wake? The other night my wife half-sat up in bed and said
very clearly, very firmly, "Time promise in paradise everything is well,"
     then fell asleep again, and I did too, hoping that dreams
          still have validity and forecast the future as they did for the Pharoahs
     who ignored them at their peril, or woke in celebration of the coming
harvest, or a daughter's impending wedding. Who knows. But this morning
     in front of me in line at the bank, I stared at a question mark
          tattooed on the back of a man's shaved head, there, at the base
     of his skull where his spinal cord met his brain, the curled
blue hook of ink floating over a point, no bigger than a period, out of which
          the universe might one day emerge, or into which
     it might just as suddenly again, and without reason, disappear.

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