| 
      
        |  |  |  
        |  | Wild Thing 
						
						
						 
									after The Troggs In the end, our argument isn't
 about anything at all.
 It's simply her testing
 whether I'm still there.
 
 The way she flops onto the couch
 is the signal, the shock waves
 of pure ostention as good as
 a gauntlet thrown down.
 
 In a parallel universe,
 it is the mirror image of a game
 in which the manager gets off the bench
 and hitches her pants for a walk to the mound,
 
 not revealing her intentions, entirely,
 not threatening her starter, overtly.
 It's still early in the game
 and it's the first visit paid,
 
 some therapy, some plea for control,
 the puffed out cheek, like a squirrel's,
 a dead giveaway.  She lets some fly.
 I've seen it enough before that I
 
 recognize the good intentions,
 what she wants to say:
 Wild thing, I think I love you,
 But I want to know for sure.
 |   |